Fine additive in the topcoat
The lightest option. A subtle tooth for entrances and decorative floors that occasionally get wet, with almost no change to appearance and no change to how you clean the floor.
Slip resistance is built into the floor, not sprayed on afterwards. Graded aggregate is broadcast into the wet resin and locked in with a sealing coat, leaving a controlled surface profile that a shoe sole or a bare foot can key against even when the floor is wet. The whole specification question is how much texture, and where.
An anti-slip resin floor is a normal resin floor with a deliberate surface profile built into it. While the body coat is still wet, graded aggregate — kiln-dried quartz sand is the usual choice, with harder grades used where abrasion is severe — is broadcast across the surface by hand or by machine. The aggregate settles into the resin and is held there. Once the body has cured, the loose excess is swept and vacuumed off and one or more sealing coats go on to lock the remaining grains in place.
What you end up with is thousands of fine peaks standing just proud of the resin. Water, soap, oil or grease on a smooth floor forms a continuous film that a sole can slide on; a profiled surface breaks that film up and gives the sole something to bite into. That is the entire mechanism, and it is why a broadcast system behaves so differently from a smooth floor with an additive stirred into the topcoat.
Two variables set the result. The grade of the aggregate decides how coarse each peak is. The broadcast rate decides how densely those peaks sit — a full broadcast to refusal gives a dense, open profile, while a controlled partial broadcast gives a subtle tooth. A third variable is often overlooked: the sealing coats. Flood the profile with too much sealer and you bury the texture you just paid for; put on too little and aggregate sheds under traffic. Getting that balance right is craft, not a data sheet.
The question we ask on site is never how much grip we can create. It is how much grip this particular area needs, who is walking on it and what will be on the floor when they do. Getting that wrong in either direction is a failure: too little texture and the floor is a hazard, too much and it becomes impossible to keep clean.
| Texture level | How it is built | Typical areas |
|---|---|---|
| Fine additive | A very fine additive stirred or broadcast into the topcoat only. Barely visible, minimal effect on appearance. | Showroom entrances, reception thresholds, decorative floors that occasionally get wet. |
| Light broadcast | Fine graded quartz at a controlled rate, sealed back. A soft tooth you can feel but not catch on. | Retail circulation, corridors, clinic and washroom floors, poolside walkways. |
| Medium broadcast | Medium quartz broadcast more densely, sealed with one or two coats depending on the profile wanted. | Commercial kitchen dry sides, bottling and processing areas, stair treads, loading docks. |
| Full coarse broadcast | Coarse aggregate broadcast to refusal, giving an open, aggressive profile that stays effective under standing water. | Wet kitchen lines, wash bays, vehicle ramps, external inclines, wet processing floors. |
| Barefoot profile | A rounded, closely spaced texture chosen for skin contact rather than for boot soles. | Bathrooms, changing rooms, shower areas, poolside decks. |
This is the detail most specifications miss. A coarse, angular profile that works perfectly under a rubber work boot is uncomfortable under a bare foot and can abrade skin — and people respond to an uncomfortable floor by walking carefully around it, which defeats the point. A barefoot wet area needs a rounded, closely spaced texture instead: less aggressive per peak, more peaks. So when a building has a kitchen and a changing room, it needs two specifications, not one, even though both are wet. We ask what footwear is actually worn in each area before we choose anything.
This system is specified where a fall has real consequences, or where water and grease are simply part of how the space is used. It is a good fit when:
It is the wrong system when:
These are the areas where we are asked for slip resistance again and again, and where the texture level is worth arguing about:
We have offices in all major cities and provide service all over Pakistan. If you are fitting out a kitchen or a wash area, bring us in before the drainage and the falls are finalised — it is much easier to lay a floor to an existing fall than to fix a floor that drains the wrong way.
Illustrative references for the texture and sheen levels we build. Texture scatters light, so a broadcast floor reads satin or matt rather than glossy. Tap any image to view it larger.
The difference between a broadcast floor and a smooth floor with something stirred into the topcoat is that one has structure and the other has a film. Structure lasts.
Slip resistance and cleanability pull against each other. Every decision on this page sits somewhere on that line, and pretending otherwise is how kitchens end up with floors nobody can clean.
Preparation decides whether the floor lasts. The broadcast and the sealing coats decide whether it grips. Both happen in this order, every time.
We look at what gets on the floor, who walks on it and in what footwear, how it is cleaned, where the falls and drains are, and whether the slab has rising moisture. Where moisture is present we specify a moisture-tolerant primer or barrier system so the floor performs long term.
Panels are made in the recommended texture levels and walked on wet before anything is ordered. The choice is agreed in writing, area by area.
Diamond grinding or shot blasting opens the slab and removes laitance, coatings and contamination. Existing resin floors are abraded rather than coated over blind.
Cracks are cut out, filled and consolidated, joints are treated according to whether they need to stay live, and falls to drains are checked and corrected where needed.
A penetrating primer seals the slab and creates the bond the rest of the system depends on.
The pigmented body coat goes down, bringing the colour and the bulk of the material. Working time here governs the broadcast that follows.
Graded aggregate is broadcast into the wet resin at the specified rate — to refusal for an aggressive profile, or controlled for a lighter one. It has to go in evenly and inside the working window, which is why it is done by teams who have done it before.
Once cured, loose aggregate is swept and vacuumed off, then one or more sealing coats lock the profile in. The number of sealer coats is what decides how much texture survives, so it is a specification decision, not a site decision.
Coving, drain surrounds, stair nosings, ramp edges and the transitions between texture levels are finished by hand.
The floor cures to a return-to-service time we confirm for your specific system. We walk it with you, set out the cleaning regime in writing and hand over the written warranty.
Texture is not the expensive part — preparation, detailing and the number of coats are. These are the factors that actually change the number on your quotation.
| Cost factor | Why it moves the price | What we do about it |
|---|---|---|
| Texture level specified | A full coarse broadcast uses more aggregate and more sealer than a fine additive in the topcoat, and needs an extra coat to lock it in. | Chosen area by area at sample stage, so you are not paying for grip where you do not need it. |
| Slab condition | Cracks, unevenness, old coatings, oil or grease contamination all add preparation hours before any resin goes down. | Assessed at the free inspection and priced as a separate line so you can see it. |
| Falls and drainage | Wet areas have to drain. Forming or correcting a fall to a drain or channel is real screeding work. | Checked with water on site, not assumed from a drawing. |
| Number of texture zones | Every change of texture is an edge to mask, set out and finish by hand, and each zone is a separate operation. | Zoned sensibly, with transitions landing at doorways or changes of level. |
| Coving, drains and nosings | Coved skirtings, drain surrounds, ramp edges and stair nosings are slow, hand-worked details — and they are exactly where water goes. | Counted and listed, so nothing appears as an extra later. |
| Chemical and thermal exposure | Hot washdown, aggressive cleaning chemicals or food acids may need a different resin chemistry rather than a different texture. | We match the chemistry to your process, including saying when epoxy is not the right family. |
| Access and working hours | Live kitchens, operating wash bays and night-only working all add time, and the broadcast stage cannot be paused halfway. | Programmed with you so the area is out of use for the shortest possible period. |
| Area and layout | Rate per sqft falls as area grows. Small, obstructed rooms with equipment bases cost more per sqft than one open floor. | We measure on site rather than working from a drawing. |
| Location | Where a site needs a crew to travel, mobilisation is included in the quotation. | Scheduled as a single continuous mobilisation wherever possible. |
For a single area such as a kitchen or a wash bay, plan on roughly four to six working days on site, plus a few days beforehand for sample panels and sign-off. A broadcast system has one more stage than a smooth floor: after the body coat and broadcast have cured, the loose aggregate has to be swept and vacuumed off before the sealing coats can go on. That step cannot be rushed, because sealer over loose grit is a floor that sheds.
Larger floors are phased so parts of your site stay usable, and commercial kitchens are almost always programmed around service — often as a full shutdown of one line at a time, with the transitions between zones agreed in advance. Falls to drains have to be dealt with before the resin stages begin, so if the drainage needs correcting, add that to the front of the programme.
Return-to-service time is system-specific. Light foot traffic usually comes back well before wheeled loads, hot washdown or cleaning chemicals are allowed on the floor, and warm weather cures faster than cold. We do not quote one universal number: the exact foot-traffic and full-service times for your build-up are confirmed in your quotation and repeated at handover.
A textured floor does not clean itself, and a flat mop will not clean it either. The regime matters as much as the system — a well-specified floor cleaned badly performs worse than a lighter texture cleaned properly, and that is the whole reason we ask about cleaning before we choose the aggregate.
When a lane does polish down, the answer is not a new floor. The area is abraded, re-broadcast and resealed, which restores the profile at a fraction of the cost of replacement. We will tell you honestly when a floor needs it — and when it is still performing and does not.
Colour is a solid uniform tone — safety greens, greys, reds, blues and buffs are the usual choices, and a contrasting colour is often used to mark a walkway. What you choose alongside it is how the surface behaves.
The lightest option. A subtle tooth for entrances and decorative floors that occasionally get wet, with almost no change to appearance and no change to how you clean the floor.
Graded quartz at a controlled rate, sealed back to a satin surface. The everyday answer for corridors, washrooms, stair treads and the drier parts of a kitchen.
Coarse aggregate to refusal for wet kitchen lines, wash bays and ramps. Maximum grip under standing water, and the option that demands a proper scrubbing regime in return.
A rounded, closely spaced texture for bathrooms, changing rooms and poolside decks, chosen for comfort under skin rather than for boot soles.
We have been installing resin floors since 2012 and have completed more than 1,200 floors, with offices in all major cities and service all over Pakistan. A good part of that work has been correcting floors that were specified without anyone asking what gets spilled on them or how they get cleaned, so we ask those questions first and our experienced installation teams broadcast and seal to the specification that comes out of the answers.
Every project starts with a free site inspection: we measure, assess the slab, check the falls and the drainage, check for rising moisture and recommend a texture level per area. Then you get a fixed written quotation with the system, the profile, the cleaning regime and the return-to-service times set out in it.
Tell us the city, roughly how big the area is, what gets onto the floor and how it is cleaned. We will inspect it free of charge, make panels you can walk on wet and come back with a fixed written quotation.